Center Theatre Group makes a big promise to women and BIPOC playwrights

Responding to a torrent of criticism about gender inequality and the potential lack of the acclaimed “Slave Play” because the centerpiece drama of the upcoming season, Middle Theatre Group on Tuesday evening dedicated to programming the whole 2022-23 season of the Mark Taper Discussion board with performs written by women-identifying or nonbinary playwrights, nearly all of whom could be BIPOC artists.

The transfer got here after mounting complaints that the Taper’s 2021-22 season included work by just one feminine author. The anger over gender inequality culminated in playwright Jeremy O. Harris threatening to drag his “Slave Play,” which garnered 12 Tony nominations.

Shortly after Middle Theatre Group launched its letter on Fb, Harris introduced his resolution on Twitter to permit “Slave Play” to stay within the Taper lineup. “So after 1½ weeks of Zooms and cellphone calls [with] creative workers at in addition to my crew on ‘Slave Play,’ L.A. group members, a number of feminine mentors,” Harris wrote, “I’m excited to say that can keep on the season for 2022. This got here after a number of commitments listed under.”

Harris then linked out to an open letter signed by CTG’s affiliate creative administrators: playwright Luis Alfaro, Lindsay Allbaugh, Tyrone Davis, Neel Keller and Kelley Kirkpatrick. Creative Director Michael Ritchie, who is scheduled to retire at the end of the year, was not a signatory, nor was Managing Director and Chief Govt Meghan Pressman. Pressman informed The Instances by electronic mail that the letter was signed by the affiliate creative administrators as a result of the group is starting “to select up the management mantle for season planning and technique as we begin to look towards subsequent season and time in transition between creative leaders.”

The corporate additionally dedicated to anchoring the 2022-23 season at its Kirk Douglas Theatre in Culver Metropolis with a majority women-identifying or nonbinary and BIPOC playwrights. The smaller Kirk Douglas stage has historically been the place the place feminine playwrights staged their work, whereas the extra high-profile Taper has for years had a lineup dominated by males.

The upcoming season on the Taper would be the first after almost two years of damaging pandemic shutdowns. CTG was pressured to put off greater than half of its workers, whereas the homicide of George Floyd sparked requires significant change in American theater, together with powerful demands for gender parity and racial inclusion.

Right here is the CTG letter in its entirety:

To our artists, viewers, colleagues, and companions,

We need to have a dialog with you.

We not too long ago introduced Middle Theatre Group’s first Taper and Douglas seasons after a two-year Pandemic shutdown. We acknowledge that our 21/22 season was closely imbalanced when it got here to gender. Girls-identified voices are wanted on our phases in each season. As a company that’s actively working towards being anti-racist and inclusive, we take accountability for the dearth of intersectionality of social identities and experiences on our phases.

We’ve been reminded by our group this previous week in regards to the nice want for transparency. We’re a company within the midst of pandemic restoration and initially of an Creative Management transition; it is a second of nice change and communication is extremely vital. The 22/23 season planning course of started over a yr in the past, and we had already been working exhausting to ensure our programming was of the best creative caliber and has been knowledgeable by our dedication to heart BIPOC voices and provides extra manufacturing slots to women-identifying and nonbinary playwrights.

Because the season is shaping up, we’re enthusiastic about our plan to schedule the total Taper 22/23 season subsequent yr with totally women-identifying or non-binary playwrights and to even have it’s a BIPOC-majority season. We’re focusing our Douglas 22/23 season on majority women-identifying or nonbinary and BIPOC playwrights. We are going to proceed our dedication to uplifting/constructing gender and racial fairness inside our manufacturing administrators and creative groups.

Along with the work that can seem on our phases, our expanded New Play Growth packages additionally additional our dedication to gender and racial fairness. We’ve been making ready to announce a brand new chapter for our Not a Second, However a Motion initiative wherein we will probably be commissioning six new performs by Black women-identifying or nonbinary playwrights. This provides to our different present developmental packages together with the present writers cohort which is comprised of 10 women-identifying, majority BIPOC playwrights, and 11 of our 16 present commissions are with women-identifying playwrights, 11 are additionally BIPOC playwrights.

Within the spirit of this dedication to transparency, we’ve got shared these in-the-works plans with members of our group, together with Jeremy O. Harris. Jeremy has religion within the vital measures we’re taking and on account of these conversations, Slave Play stays the opening manufacturing of our upcoming Taper season.

Shifting ahead, a brand new Creative Director(s) will program our future seasons. We’re looking for management that shares our values and commitments to vary.

We’re grateful to the women-identified playwrights and different members of our group who made it clear that we have to higher talk our planning intentions. We stay up for persevering with this dialog with you. We’re unwavering in our dedication to cutting-edge artwork and variety of all views, and the absolute best expertise on our phases.

The Creative Group may be reached at this electronic mail: [email protected].


Luis Alfaro
Lindsay Allbaugh
Tyrone Davis
Neel Keller
Kelley Kirkpatrick

We acknowledge that phrases and language like “women-identifying” and “nonbinary” are in a relentless state of redefinition and evolution, and the language we use could change over time.

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