The excellent news is that Jumbo is superb as a shaven-headed, androgynous Hamlet; the dangerous information is that she is within the fallacious manufacturing. Director Greg Hersov has little thought about what to do with the play or the characters surrounding the Nice Dane.
Following within the slipstream of Ian McKellen’s riotously all-over-the-place manufacturing, this suffers comparable issues of lack of goal and woolly idea.
It’s set within the current day ‑ fits, cellphones and computerized weapons ‑ but has no actual sense of place both geographically or politically.
The set is a sequence of peeling mirrored monoliths designed to ship ghostly reflections of the characters. It is a good thought however what’s the level if a lot of the appearances of Hamlet’s father happen unseen behind the heads of the viewers? “He’s behind you!” “Oh no he’s not!”
Among the many forged, Norah Lopez Holden is a fresh-faced and credibly harmless Ophelia, Joseph Marcell is a splendidly pedantic Polonius and Jonathan Livingstone an affectingly affable Horatio.
However, oh pricey, what occurred to Adrian Dunbar and Tara Fitzgerald?
High-quality actors each, their Claudius and Gertrude double act has little or no traction on stage.
Dunbar appears extra like an underhanded financial institution supervisor than a scheming Machiavel who murders his brother to get his fingers on his sister-in-law and the crown of Denmark.
Hersov’s staging is flat and listless, leaching the play of excessive drama and, in the end, its tragedy. What a pity.
Hamlet is on the Younger Vic till November 13
TICKETS: 020 7922 2922 or at youngvic.org