The little lady who began skilled singing greater than seven many years in the past remains to be there someplace, says Lata Mangeshkar as she remembers the beginnings of her lengthy profession that notched one other hit simply final month with the discharge of a brand new track. “Theek Nahi Lagta”, a track with Mangeshkar’s favorite lyricist Gulzar, was believed to have been misplaced. Filmmaker Vishal Bhardwaj, who additionally composed the track and had recorded it for a movie he needed to make, found it lately and known as Mangeshkar to hunt her permission to launch the track.
“Vishal ji advised me that the track has been discovered and requested whether or not he may launch it. I mentioned, ‘Why would I thoughts? It’s such an attractive track. You need to launch it’. He additionally advised Gulzar sahab in regards to the track. He then combined it once more and that is how the track got here to be launched,” the music icon advised PTI in a uncommon cellphone interview from Mumbai.
Mangeshkar, who turned 92 on September 28, remembers her early days and says the recollections are nonetheless recent in her thoughts.
“That lengthy journey is with me and that little lady remains to be with me. She has not gone wherever. Some folks name me ‘Saraswati’ or say that I’ve her blessings. They are saying I’m this and that. All that is nothing I consider however the blessings of my dad and mom, our deity Mangesh, Sai baba and god,” the singing legend mentioned.
“It’s their blessing that individuals like no matter I sing. In any other case who am I? I’m nothing. There have been higher singers than me and a few of them will not be even with us. I’m grateful to god and to my dad and mom for no matter I’ve right now.”
Gulzar has been an abiding favorite for Mangeshkar, the golden voice behind greater than 25,000 songs in several languages. She mentioned she nonetheless remembers how his phrases “meri awaaz hello pehchan hai” from the track “Naam Gum Jaayega” within the movie “Kinaara” got here to mirror her personal storied journey in music together with her followers conflating her voice together with her id.
She remembers vividly the day she did the playback for the track. “Everybody within the nation is aware of that Gulzar sahab writes fantastically. He additionally speaks fantastically. After I was singing (this track), he got here to me and gently mentioned, ‘Meri awaaz hello pehchan hai aur ye hai pehchan’. He mentioned one thing like this. However later, I additionally began saying that ‘my voice is my id’. And now whoever sings that track or writes about me says these strains,” Mangeshkar mentioned.
Like “Theek Nahi Lagta”, many songs have gotten misplaced over time, added the legend.
“Not too long ago I heard one among my songs, which is unreleased. What occurs is that typically there are too many songs in a film and it hinders the circulation of the movie. So that they take away the track and attempt to put it in one other movie. But when it doesn’t match, it simply stays in storage and folks overlook about it with time. But it surely’s not doable for me to search for them, it ought to be completed by another person.
“Additionally, it’s not all the time doable to get them launched. Typically the producer doesn’t give permission or the movie stays unreleased or the lyricist doesn’t agree… there are a lot of such hindrances,” she identified. Requested what are the songs that she likes to hum, Mangeshkar mentioned, “It is going to create bother if I let you know this (gadbad ho jayegi).”
She went on to recall the music administrators she liked working with. “The music that I discover most original is Sajjad Hussain sahab’s. The compositions he created, I like even right now. Each Sajjad Hussain sahab and Khayyam sahab had their very own model. Sajjad sahab’s music had an Arabic contact and he would let you know the best way to sing. I nonetheless do not forget that. I nonetheless just like the songs he created, they’re completely different,” she mentioned.
Mangeshkar and Hussain labored on a number of hits, together with “Bahaar Aai, Lutaa Dil Meraa Haay Aabaad Ho Kar”, “Aaj Mere Nasib Ne Mujhko Rula Rula Diya” and ‘Woh To Chale Gaye Ae Dil”. The singer collaborated with Khayyam on songs equivalent to “Ae dile naadan”, “Aaja Re O Mere Dilbar”, “Mohabbat Bade Kaam Ki Cheez Hai” and “Phir Chiddi Raat”.
Mangeshkar mentioned she loves completely different music kinds from throughout the nation and the truth that there are such a lot of languages. “I do not know whether or not folks know this however I just like the south Indian model of music. I like Bangla music and the Bengali songs that I’ve sung. Hindi music can be there and so is Gujarati’. I’ve sung in all languages and I like all of the completely different faculties of music which are there in India.”
She additionally recalled her collaboration with the music administrators, younger and previous. Whereas Shankar Jaikishan, Madan Mohan, Jaidev, Laxmikant Pyaarelal, SD Burman, Naushad and R D Burman are a few of her favorites from the bygone period. Within the present lot, she provides music maestro AR Rahman a thumb’s up.
“Although he’s doing much less music, A R Rahman’s music is nice, I like his compositions “There’s Ilaiyaraaja within the south, I’ve completed playback for him. He’s additionally good. I do not know the brand new ones however I pray that they’re profitable.”
Her first collaboration with Bhardwaj was for “Maachis” in 1996. She was initially apprehensive however was quickly received over by the then budding composer’s expertise. She sang 5 of the eight songs within the film, together with “Tum Gaye”, “Pani Pani Re” and “Bhej Kahaar”.
“When Vishal ji got here, I used to be initially apprehensive as I didn’t know what sort of music he makes however I liked the very first track he created. I realised he is a good music director and I used to be actually pleased to sing for him. I sang many songs for him in ‘Maachis’, they had been actually lovely,” she mentioned.